Photo © 2017 CHOI+SHINE
2017 Marina Bay, Singapore
Jin Choi and Thomas Shine
Steel Fabrication :
Assembly Crew in Boston:
Installation Crew in Singapore:
Árni Björn Jónasson, ARA Engineering
iLight Marina Bay
Deidra DePagter Ball
Ashlee Deetz Schleicher
At night, the mysteriously hovering and glowing large Urchins create a sense of magic as if time has stopped. When viewers enter into the Urchins, they will be surrounded by a single layer of glowing, lacy surface, where they can enjoy the detail and texture of the Urchins and see the city, water and the sky through this visual filter. When other viewers see the occupants in the Urchins, the occupants will glow within the lacy room, creating an illusion of ethereal levitation of the occupants, while the occupants become a part of the art work.
Seeing hovering and glowing lacy objects against majestic skyscrapers and dark water would make them pause and gaze. This momentary pause of the mundane routine of our life would then give us an opportunity to find the poetry around us.
The Urchins are also intended to be experienced from within, prompting the interaction between the light, people and the city.
The Urchins interact with natural light during the day, and glow when illuminated at night. During the day, the crocheted surface of the Urchins reflects, absorb and retransmit sunlight. In the morning or late afternoon sun, the Urchins will appear as glowing, translucent object. During the full day sun, the lightweight and yet huge lace urchins will cast intricate, patterned shadows creating both a pleasant visual experience and providing a small shelter from the hot sun.
The Urchins create an interesting theatrical relationship of the seers and the seen. Viewers inside the Urchins are staged as part of the artwork and viewers outside will become spectators of the occupants of the artwork. This relationship can be reversed when the occupants see the city and the people outside the Urchins framed within the glowing lace as artwork captured in each openings of the lace.
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